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    FULL-LENGTH ANIMATED FILM
    December 21, 1937 - Los Angeles, California, U.S.A.

    Snow White and the Seven Dwarfs, Walt Disney's first full-length (83 minutes), animated film opened in Los Angeles, California. Using the story adapted from Brothers Grimms' Fairy Tales, it was the first commercially successful film of its kind. This pioneering film made use of the multi-plane camera to achieve an effect of depth, introduced human characters modeled on live actors, and used larger painted cels. After two years and a then astronomical $1.5 million to create, it was released for its premiere during Christmas of 1937. Disney had to mortgage his house to pay for the film's production. This followed within a span of just 12 years since the first black and white talking Mickey Mouse in Steamboat Willie (1928).

    PATENT FOR PEANUT BUTTER AND JELLY SANDWICH
    December 21, 1999 - U.S.A.

    A U.S. patent was granted for making a "Sealed Crustless Sandwich," (No. 6,004,596), to David Geske and Len C. Kretchman of Menusaver, Inc. From 1995, they had successfully marketed their product to schools. Smucker bought the company and introduced "Uncrustables." Shortly, Smucker alleged patent infringement by Abbie's Foods, Inc., a grocer and caterer, warning them to cease selling a crustless peanut butter and jelly sandwich. Albie's appealed to federal court (11 Jan 2001). Challenging the patent, Albie's and requested (9 Mar 2001) a Patent Office re-examination. A patent requires non-obviousness, and is invalidated by any prior useage. Despite Smucker's further patent filings and appeals, the Patent Office finally cancelled the improvident patent (8 Dec 2006).

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    about Eyesight Myth and Fact

    Myth: Staring at a computer screen all day is harmful to the eyes. Fact: Spending the day staring at a screen can tire or strain your eyes, but it will not hurt them. Make sure lighting doesn't create a glare on your screen. When spending long periods at your keyboard, take a break now and then to rest your eyes to reduce fatigue. Also, don't forget to blink. Your eyes need to stay lubricated to feel comfortable.

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ARTICLE INFORMATION :

For whatever reason, you didn't go to University or Art School, so you need to go DIY for your training. Good for you! This is the best way, in my opinion, to preserve the one thing you have to offer the world. It is your own, unique way of seeing and putting that vision on paper or canvas so others can see it.

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For whatever reason, you didn't go to University or Art School, so you need to go DIY for your training. Good for you! This is the best way, in my opinion, to preserve the one thing you have to offer the world. It is your own, unique way of seeing and putting that vision on paper or canvas so others can see it. Formal art training in youth often seems to work against that.

Perhaps too much knowledge of Art History stifles personal creativity. Maybe the example of all those geniuses we can never hope to match is just too daunting. Right now, you need to learn the 'How' part of painting. No amount of reading about famous artists or the various Movements they founded will teach you how to actually paint. Here are 3 useful avenues to try in your search for knowledge.
1. The Internet offers myriad low-cost options.

You-tube videos by working artists demonstrate all kinds of techniques. Just enter a search term and watch. Make notes as the lesson progresses and try it out in your own studio. Websites offer artist blogs and courses of endless variety, some of them free. Online magazines publish how-to articles by artists. You can sign up for e-mail alerts to new publications.

2. Your local library holds a treasure-trove of books.

For the small cost of membership, you'll find a book on any aspect of painting techniques and materials. If a book is really helpful, you'll want it to keep at hand in your studio. Seek out a copy at the local book exchange or save to buy it at the retail bookshop. Books on subjects such as Human Anatomy and Anatomical Drawing, Perspective Drawing or the Chemistry of Pigments are an investment in your career. For any style except Colour Field' painting, you'll consult them often.

3. Find an artist who gives lessons in your area.

Getting real-time lessons is the ultimate way to learn but teachers are not all equal in value. Here are some points to look for in a good artist-teacher.

Lessons should be not more than a week apart.
Class groups should number fewer than 20, with fewer than 12 being ideal.

Cost per hour should be stated upfront and notice given before any increase.

Check if you'll be required to buy materials for the lesson or can bring your own.

If you don't like this artist/teacher's own work, don't worry about it. You're there to learn technique and if the teacher can convey that, your time and money is well-spent.
Caution: if, on day one, the 'teacher' puts up a calendar picture or a poster print of a painting and asks the class to copy it - leave the room at the first tactful opportunity. You'll learn nothing there.
TIP- Don't waste your time 're-inventing the wheel.' In the end, your best teacher is yourself. Like a virtuoso pianist, your facility comes at the price of regular practice. Along the way, you'll make discoveries about painting, unique to you. However, some training in the basics from those who know, saves a lot of time 're-inventing the wheel' instead of creating.



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  • Art Gallery Gauvin
    Dorothy Gauvin is an internationally acclaimed Australian painter in oils who specialises in an epic theme of Australia's pioneers. See images of her 'Life-Story' portraits, an ABC of homemade tools for painters with arthritis, plus tips and advice for as

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