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    U.S.A. DRUG BUST
    February 23, 1964 - U.S.A.

    U.S.A. Drug Bust Feb. 23rd, 1964 : In one of the largest drug busts ever the boss is identified a Mexican Ambassador to Bolivia as the mobs boss, Mexico reacted quickly by firing the Ambassador which takes away his immunity to prosecution, he is currently held on illegal trafficking of drugs and faces a lengthy jail sentence. He had been tracked by French Police working with the US enforcement agencies and it was decided the US had stiffer penalties for drug trafficking.

    JAMES EDWARD CHEEK
    February 23, 1983 - United States

    James Edward Cheek was presented the Presidential Medal of Freedom, America's highest civilian honor, by President Ronald Reagan. Cheek was born December 4, 1932 in Roanoke Rapids, North Carolina. He served in the United States Air Force and was honorably discharged in 1951. He earned his Bachelor of Arts degree in sociology and history from Shaw University in 1955, his Master of Divinity degree from Colgate Rochester University in 1958, and his Ph.D. from Drew University in 1962. Cheek was appointed president of Shaw University in 1963 and in 1968 was appointed president of Howard University. During his tenure at Howard, the student population increased by 3,500 as well as the number of schools, research programs, full-time faculty, and Ph.D. programs. Howard's budget increased from $43 million to $417 million. Cheek was named Washingtonian of the Year in 1980. Cheek retired as president of Howard in 1989 and died January 8, 2010. The James E. Cheek Learning Resource Center at Shaw is named in his honor.

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For whatever reason, you didn't go to University or Art School, so you need to go DIY for your training. Good for you! This is the best way, in my opinion, to preserve the one thing you have to offer the world. It is your own, unique way of seeing and putting that vision on paper or canvas so others can see it.

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For whatever reason, you didn't go to University or Art School, so you need to go DIY for your training. Good for you! This is the best way, in my opinion, to preserve the one thing you have to offer the world. It is your own, unique way of seeing and putting that vision on paper or canvas so others can see it. Formal art training in youth often seems to work against that.

Perhaps too much knowledge of Art History stifles personal creativity. Maybe the example of all those geniuses we can never hope to match is just too daunting. Right now, you need to learn the 'How' part of painting. No amount of reading about famous artists or the various Movements they founded will teach you how to actually paint. Here are 3 useful avenues to try in your search for knowledge.
1. The Internet offers myriad low-cost options.

You-tube videos by working artists demonstrate all kinds of techniques. Just enter a search term and watch. Make notes as the lesson progresses and try it out in your own studio. Websites offer artist blogs and courses of endless variety, some of them free. Online magazines publish how-to articles by artists. You can sign up for e-mail alerts to new publications.

2. Your local library holds a treasure-trove of books.

For the small cost of membership, you'll find a book on any aspect of painting techniques and materials. If a book is really helpful, you'll want it to keep at hand in your studio. Seek out a copy at the local book exchange or save to buy it at the retail bookshop. Books on subjects such as Human Anatomy and Anatomical Drawing, Perspective Drawing or the Chemistry of Pigments are an investment in your career. For any style except Colour Field' painting, you'll consult them often.

3. Find an artist who gives lessons in your area.

Getting real-time lessons is the ultimate way to learn but teachers are not all equal in value. Here are some points to look for in a good artist-teacher.

Lessons should be not more than a week apart.
Class groups should number fewer than 20, with fewer than 12 being ideal.

Cost per hour should be stated upfront and notice given before any increase.

Check if you'll be required to buy materials for the lesson or can bring your own.

If you don't like this artist/teacher's own work, don't worry about it. You're there to learn technique and if the teacher can convey that, your time and money is well-spent.
Caution: if, on day one, the 'teacher' puts up a calendar picture or a poster print of a painting and asks the class to copy it - leave the room at the first tactful opportunity. You'll learn nothing there.
TIP- Don't waste your time 're-inventing the wheel.' In the end, your best teacher is yourself. Like a virtuoso pianist, your facility comes at the price of regular practice. Along the way, you'll make discoveries about painting, unique to you. However, some training in the basics from those who know, saves a lot of time 're-inventing the wheel' instead of creating.



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  • Art Gallery Gauvin
    Dorothy Gauvin is an internationally acclaimed Australian painter in oils who specialises in an epic theme of Australia's pioneers. See images of her 'Life-Story' portraits, an ABC of homemade tools for painters with arthritis, plus tips and advice for as

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