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TODAY IN HISTORY

    WIRELESS TELEPHONE AT WHITE HOUSE
    November 21, 1919 - White House, U.S.A.

    President Wilson used a radio telephone set up on the south portico of the White House to direct the maneuvers of a dozen army airplanes flying over the Potomac river several miles away. His telephoned directions went direct to the flight commander in the air. The instrument was similar to those used by American aviators in France in the latter part of World War I. Col. C. C. Culver actively developed the equipment. He began the project in Aug 1910. No new invention was needed, only adaptation and adjustment of existing techniques. By Aug 1916, he was able to send a radio telegraph signal from a plane. Enlisting expert help from the telephone companies, by Oct 1917, voice messages could be send between a plane and the ground. The system was put into service for military wartime use.

    EDISON'S PHONOGRAPH
    November 21, 1877 - New York City, U.S.A.

    Thomas Edison announced his invention of his "talking machine" - the tin-foil cylinder recorder that preceeded the phonograph. He appears to have envisioned it as a business dictation machine. In Sep 1877, he wrote that its purpose was "to record automatically the speech of a very rapid speaker upon paper; from which he reproduces the same Speech immediately or years afterwards preserving the characteristics of the speakers voice so that persons familiar with it would at once recognize it." The indented tin foil, however, would survive only a few playings. By the first public showing of a phonograph, which took place in New York City in early Feb 1878, its practical applications had not yet been realized.

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For whatever reason, you didn't go to University or Art School, so you need to go DIY for your training. Good for you! This is the best way, in my opinion, to preserve the one thing you have to offer the world. It is your own, unique way of seeing and putting that vision on paper or canvas so others can see it.

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For whatever reason, you didn't go to University or Art School, so you need to go DIY for your training. Good for you! This is the best way, in my opinion, to preserve the one thing you have to offer the world. It is your own, unique way of seeing and putting that vision on paper or canvas so others can see it. Formal art training in youth often seems to work against that.

Perhaps too much knowledge of Art History stifles personal creativity. Maybe the example of all those geniuses we can never hope to match is just too daunting. Right now, you need to learn the 'How' part of painting. No amount of reading about famous artists or the various Movements they founded will teach you how to actually paint. Here are 3 useful avenues to try in your search for knowledge.
1. The Internet offers myriad low-cost options.

You-tube videos by working artists demonstrate all kinds of techniques. Just enter a search term and watch. Make notes as the lesson progresses and try it out in your own studio. Websites offer artist blogs and courses of endless variety, some of them free. Online magazines publish how-to articles by artists. You can sign up for e-mail alerts to new publications.

2. Your local library holds a treasure-trove of books.

For the small cost of membership, you'll find a book on any aspect of painting techniques and materials. If a book is really helpful, you'll want it to keep at hand in your studio. Seek out a copy at the local book exchange or save to buy it at the retail bookshop. Books on subjects such as Human Anatomy and Anatomical Drawing, Perspective Drawing or the Chemistry of Pigments are an investment in your career. For any style except Colour Field' painting, you'll consult them often.

3. Find an artist who gives lessons in your area.

Getting real-time lessons is the ultimate way to learn but teachers are not all equal in value. Here are some points to look for in a good artist-teacher.

Lessons should be not more than a week apart.
Class groups should number fewer than 20, with fewer than 12 being ideal.

Cost per hour should be stated upfront and notice given before any increase.

Check if you'll be required to buy materials for the lesson or can bring your own.

If you don't like this artist/teacher's own work, don't worry about it. You're there to learn technique and if the teacher can convey that, your time and money is well-spent.
Caution: if, on day one, the 'teacher' puts up a calendar picture or a poster print of a painting and asks the class to copy it - leave the room at the first tactful opportunity. You'll learn nothing there.
TIP- Don't waste your time 're-inventing the wheel.' In the end, your best teacher is yourself. Like a virtuoso pianist, your facility comes at the price of regular practice. Along the way, you'll make discoveries about painting, unique to you. However, some training in the basics from those who know, saves a lot of time 're-inventing the wheel' instead of creating.



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    Dorothy Gauvin is an internationally acclaimed Australian painter in oils who specialises in an epic theme of Australia's pioneers. See images of her 'Life-Story' portraits, an ABC of homemade tools for painters with arthritis, plus tips and advice for as

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